Mi buen amigo Carlos Riboty, tatrero peruano afincado en Palermo, Italia, me envía este interesantísimo anuncio de nuevas publicaciones dedicadas al teatro grotowskiano, el teatro experimental en general. Gracias, Carlos.
- Heart of Practice. Within the Workcenter of Jerzy Grotowski and Thomas Richards, by Thomas Richards, Routledge (2008).
The book charts the development of the Workcenter's performing arts research through a decade of conversations with Thomas Richards.
Interviewed by leading scholars, Richards gives a detailed view of the Workcenter's evolution, providing concrete illustration of the Workcenter's distinctive creative practices, rigorous discussion of over twenty years of world-renowned research, previously unpublished performance photos and privileged insight into what Jerzy Grotowski considered to be the culmination of his life's work.
The table of content is:
- Non-Preface by Andre Gregory
- 1 The Edge-Point of Performance
Interviewer: Lisa Wolford - 2 As an Unbroken Stream
Interviewer: Tatiana Motta Lima - 3 In the Territory of Something Third
Interviewer: Kris Salata - Biographies
Bibliography
Filmography of the Workcenter Research
Heart of Practice is available at the publisher's website www.routledge.com
- Opere e sentieri III "Testimonianze e riflessioni sull'arte come veicolo". The book centers on specific topics connected with the Workcenter research and contains contributions from Paul Allain, Antonio Attisani, Peter Brook, Florinda Cambria, Marco De Marinis, Albert Dichy, Piergiorgio Giacché, Sandro Lombardi, Roger Repohl, Marcella Scopelliti, Ferdinando Taviani, Federico Tiezzi, Anatoli Vasil'ev, Carlo Sini.
The table of content is:
- AL LETTORE
- Introduzione, Albert Dichy, L'argomento più noioso del mondo
I - Peter Brook, Grotowski, L'arte come veicolo
- Ferdinando Taviani Commento a Il Performer
- Federico Tiezzi, Pas de viande dans un restaurant de poisson- Il grado zero della scrittura (1988)
- Federico Tiezzi, Dieci anni dopo: only connect
- Roger Repohl, Liturgia come veicolo (1994)
- Sandro Lombardi, La pietra nera - L'attore guarda il maestro che lo guarda (1998)
- Anatolij Vasil'ev, Cronaca del quattordici (1999)
II - Marco De Marinis, Il teatrologo, lo spettatore e le performing arts: la sfida di Grotowski e del Workcenter di Pontedera (2003)
- Piergiorgio Giacché, La verticalitá e la sacralitá dell'atto (2003)
- Paul Allain, Destarsi con One breath left (2003)
- Marcella Scopelliti Un resoconto in due tempi (2006)
- Antonio Attisani, L'arte del teatro nel secolo dopo Grotowski (2007)
- Florinda Cambria Il teatro e la prassi (2007)
- Carlo Sini, Poiema (2007)
Opere e Sentieri III is available in bookshops in Italy and at the publisher's website, www.bulzoni.it
- A special issue of TDR The Drama Review (summer 2008), entitled Re-Reading Grotowski, edited by Kris Salata and Lisa Wolford Wylam
The table of content is:
- PROVOCATION
- Fathers and sons
Harry J.Elam, Jr - Grotowski and the Grotowskian
Richard Schechner - Re-Reading Grotowski:Guest Editor's Introduction
Kris Salata and Lisa Wolford Wylam - Farewell Speech to the Pupils
Jerzy Grotowski
translated by Kris Salata - Reply to Stanislavsky
Jerzy Grotowski,
translated by Kris Salata - On the Genesis of Apocalypsis
Jerzy Grotowski
translated by Kris Salata - Returning to the Subject: The Heritage of Reduta in Grotowski's Laboratory Theatre Zbigniew Osinski
translated and edited by Kris Salata - Acta Gnosis
Antonio Attisani
translated by Elisa Poggelli - Towards the Non-(Re)presentational Actor: From Grotowski to Richards
Kris Salata - Living Tradition: Continuity of Research at the Workcenter of Jerzy Grotowski and Thomas Richards
Lisa Wolford Wylam - Meeting at La Sapienza: or, On the Cultivation of Onions
Mario Biagini
translated by Lisa Wolford Wylam
TDR COMMENT
ARTICLES
1 comentario:
querido Carlos Vargas,
me alegra de que hayas publicado las informaciones que te envié sobre el "Workcenter.." La experiencia que uno realiza en esa vieja granja en medio del campo, en Toscana, es irrepetible. Sea que estès de paso o de manera permanente. Serìa esencial que tus lectores latinoamericanos escribieran al "Workcenter" para poder ser seleccionados y preparados en este duro trabajo vocal y corporal que implica la investigaciòn sobre el arte del actor. Es el legado del maestro polaco. Serìa interesante que se comenzaran tambièn a traducir estos textos fundamentales para la real comprensiòn de las investigaciones que allì se llevan a cabo.
Sorprendido gratamente por los avances que has desarrollado en estos ùltimos años, me despido desde Palermo auguràndote todo tipo de sorpresas en tu vida. Ya nos tocarà volvernos a ver.
Carlos Riboty
Università di Palermo
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